Noirvember 2017, Episode 9: Shockproof (1949)

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Shockproof (1949) Douglas Sirk
Filmstruck (1:19)

Mention the name Douglas Sirk to classic movie fans and they’ll come up with certain words that evoke the director’s work, particularly the word “melodrama.” Do the same with Samuel Fuller  and you might evoke the words “controversial,” “aggressive,” or “violent.” Sirk suggests high production values in his films; Fuller, low-budget. It seems almost unthinkable that the two would work together on a project, but it happened with Shockproof, written by Fuller and Helen Deutsch and directed by Sirk.

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Griff Marat (Cornel Wilde) is a tough parole officer who falls in love with a parolee named Jenny Marsh (Patricia Knight), a woman who served time to protect her gambler boyfriend Harry Wesson (John Baragrey). Griff (It seems nearly every Fuller movie contains a character named Griff) is certain Jenny is going to straight back to Wesson upon release, so he hires her to take care of his blind mother (Esther Minciotti). But Wesson has his eye on Griff also, hoping to ruin Griff’s political aspirations.

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I’m not quite sure how Sirk’s high-production melodrama blends with Fuller’s tough-as-nails script, but they merge beautifully for most of the film, which is marred only by an absolutely ridiculous studio-imposed “happily ever after” ending that is so ludicrous you’ll find yourself shaking your head. Even with such a stinker ending, Shockproof is a fine noir with nice performances, especially from Wilde and Knight (who were husband and wife at the time).

4/5

joan2  this woman is dangerous

Next time: 20 years before Joan Crawford had vision problems for Steven Spielberg, she had them for Felix E. Feist.

Photos: OCD Viewer, TCM, Radio Times, Homages, Ripoffs, and Coincidences

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4 thoughts on “Noirvember 2017, Episode 9: Shockproof (1949)

  1. Pingback: Noirvember 2017: 30 Films in 30 Days | Journeys in Darkness and Light

  2. Pingback: Noirvember 2017: Week 2 Recap | Journeys in Darkness and Light

  3. Thanks! I also wish we had an “alternate” ending somewhere… My friend Michael Kronenberg said there’s a good article by Imogen Sara Smith on the film (and other Sirk noirs) in the NOIR CITY eMagazine issue #18, which I just purchased. Looking forward to maybe finding out the full story behind that decision!

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  4. Great review! It was interesting to see the combined talents of Sirk and Fuller in one film, save for the tacked-on happy ending you mentioned. It does make me wonder how they would’ve ended it originally, as I did like the movie despite the conclusion.

    Liked by 1 person

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