The Best of 2017: The 1930s

The Best of 2017The 1930s

Like the silent films in yesterday’s post, movies from the 1930s remain something of a blindspot for me. As you’ll notice from this list, most of these films are horror-based. (Those that are more noir-stained will be included in my film noir list.) I hope to see more 1930s films in 2018 and not just horror. But for 2017, these were the best films I saw from the 30s, all for the first time.


Red-Headed Woman (1932) Jack Conway
Forbidden Hollywood Vol. 1 DVD (1:19)

Previously discussed here.


Monkey Business (1931) Norman Z. McLeod
Universal – The Marx Brothers Silver Screen Collection Blu-ray (1:19)

Previously discussed here.


The Adventures of Robin Hood (1938) Michael Curtiz, William Keighley
Warner DVD – library (1:42)

I plan to screen this at our Great Movies series at the Severna Park Library in 2018, so I’m going to keep it simple for now. In short, don’t be a dope like me and put of seeing this wonderful film, one of the greatest, most spectacular adventure movies of all time presented in glorious Technicolor with a superb cast including Errol Flynn, Olivia de Havilland, Basil Rathbone, Claude Rains and many more.


Island of Lost Souls (1932) Erle C. Kenton
Criterion Blu-ray (1:11)

The classic story of a scientist conducting experiments on animals at a remote South Seas island is familiar and still holds up quite well with a great performance by Charles Laughton as Dr. Moreau. Although H.G. Wells hated this film adaptation, it’s still great fun and retains many of the novel’s unsettling themes.


The Invisible Ray (1936) Lambert Hillyer
The Bela Lugosi Collection DVD (1:19)

A film I first heard about on the Attaboy Clarence podcast, The Invisible Ray is a very strange affair… Astronomer Janos Rukh (a curly-haired Boris Karloff) invents a telescope that can look into space and photograph light rays revealing images from Earth’s ancient past. Rukh invites skeptical scientists Benet (Bela Lugosi) and Stevens (Walter Kingsford) to accompany him on an expedition to Africa to find a meteor that landed there thousands of years ago. Why? Rukh believes the meteor contains Radium X, an element of remarkable healing powers. Things get pretty weird and, as frequently happens when they’re paired, Karloff outshines Lugosi, but both are excellent. The film is rarely talked about today, but it should be. You can track it down on the Universal Bela Lugosi Collection DVD (which also includes several other films worth having) set as well as on a single disc from Universal’s Vault series.


King Kong (1933) Merian C. Cooper, Ernest B. Schoedsack
DVD – library (1:44)

I probably saw this classic as a kid, but it’s been so long this might as well be my first viewing. Absolutely stunning in 1933 and in 2017, an amazing achievement and a must-see. The film has lost very, very little of its power. Try it and I guarantee you’ll fall under its spell.


Waterloo Bridge (1931) James Whale
Forbidden Hollywood Vol. 1 DVD (1:21)

Touching pre-Code story of American soldier Roy Cronin (Douglass Montgomery) in WWI London who meets another American, Myra Deauville (Mae Clarke) during an air raid. Roy falls for Myra, not realizing that she’s a prostitute picking up men on the Waterloo Bridge. Their relationship scenes are quite good, more than making up for some pretty thin ancillary moments. Look for Bette Davis in a couple of scenes.


Bullets or Ballots (1936) William Keighley
Warner DVD (1:22)

The only ballots you’ll find in Bullets or Ballots are those talked about, which is good news. You’ll find plenty of bullets, though… What else would you expect from a film starring Edward G. Robinson, Humphrey Bogart and Barton MacLane? Robinson plays Johnny Blake, a New York City cop, once notorious for nabbing racketeers, who’s been given the boot thanks to a new budget-slashing police commissioner. Crime boss Al Kruger (MacLane) brings Blake in to use his expertise in avoiding the cops, paying him far more than he ever made with the police department. But Kruger’s right hand man Bugs Fenner (Bogart) doesn’t trust Blake. Another great Warner Bros. gangster flick with an outstanding cast including Joan Blondell as a woman running a numbers racket.


The Raven (1935) Lew Landers
DVD (1:02)

Bela Lugosi actually gets the best of Boris Karloff, as Lugosi plays a former surgeon causing all sorts of havoc by using the torture devices spelled out in Edgar Allan Poe’s literary works. Boris Karloff is the recipient of a quite unfortunate surgical procedure. Very nice atmospheric and effective little film (although with a little too much screaming from Irene Ware).


The Black Room (1935) Roy William Neill
TCM (1:10)

In late 19th century Austria, twin boys are born to a baron and his wife, but the celebration ends when a prophesy determines that the younger Anton will kill the older Gregor in the castle’s “black room.” To avoid this, the room is bricked up so that Gregor will always be safe, at least from Anton. Years later the twin boys grow up to be… Boris Karloff!

Anton left the castle years ago, returning to visit his brother Gregor, who has turned into a sadistic, murdering ruler of the peasantry. The locals have had just about enough of Gregor’s shenanigans and force him to abdicate so that Anton can rule. You can see where this is going, but it’s a lot of fun getting there. The style and art direction aren’t up to the level of some of the Universal monster films, but it’s quite good. It takes awhile for things to get going, but not only do we get Karloff playing two roles, but three as one of the brothers (I won’t tell you which, but it’s not hard to guess) pretending to be the other. If you’ve ever doubted Karloff’s acting ability, just see The Black Room, which also features a nice scene with Gregor pontificating on the pleasures of pears.

That’s it for my movies from the 1930s, but again, don’t be surprised if some films from the decade show up in later posts. Next time: the 1940s.

One thought on “The Best of 2017: The 1930s

  1. I’m not much of a horror guy but thanks to Saturday morning TV when I was a kid, a fondness for 30’s cinema and years of movie watching I’ve seen all of these including the scare flicks all of which were fine but I haven’t watched in eons.

    Of the others Bullets and Ballots is a terrific breezy little number thanks to the quartet you mentioned all doing characters they would plays many times over but that they did very well.

    I’ve never been a super Marx Brothers fan, their films are pleasant but the whole veneration of them isn’t something I feel.

    I liked this version of Waterloo Bridge which was far gritter than the 1940 take with Vivien Leigh and Robert Taylor but I still prefer that one. First of all it contains absolutely beautiful work from Vivien (it was her favorite as well as Taylor’s of their respective films) and the delicacy of the story plays better with a dose of MGM romanticism added.

    The Adventures of Robin Hood is a BLAST! So wonderfully directed and with such a sense of fun mixed in with the derring do. Flynn is inimitable and his perfectness for the role and in the role can never be matched. There’s too many other wonderful parts of the film, Olivia de Havilland, Claude Rains, Rathbone, the color, sets, supporting actors etc. to say he makes the picture but it would be so much less without him.

    Harlow’s look places her so firmly in the 30’s but her charisma and screen presence is timeless and her attitude especially before the code is very modern. That said I didn’t love Red-Headed Woman as much as I expected to, it’s frank and racy but certainly no Red Dust. For a woman who was a star for a scant eight years and died at 26 she had an incredibly productive output! Quite a bit of dross but at least MGM seemed to know what they had in her and in amongst the flotsam are diamonds like Bombshell, Dinner at Eight, Libeled Lady and Wife vs. Secretary. I think had she not passed away so young she would have endured for quite some time since both she and Metro were canny enough to adjust her image with the times from the great brassy broad of her beginning to a softer more ladylike one of her last few movies and her popularity didn’t diminish with the change.

    Again you said this period is sort of a blind spot for you and I don’t know what you’ve seen but I’d recommend (I’ll keep it to a top 15 since I’ve got a huge number of faves from this decade.)

    In Name Only-Wonderful oddly lesser known romantic drama considering it stars Cary Grant, Carole Lombard and a deliciously rotten Kay Francis.

    Dark Victory-Bette Davis mega success about a vibrant young girl struck down by illness.

    Holiday-Cary Grant again in a film about pursuing a dream with what is probably Lew Ayers best performance.

    The Rains Came-The first winner for a Special Effects Oscar is a well acted story with some now questionable casting (Tyrone Power and Maria Ouspenskaya as natives of India?).

    Sidewalks of London aka St. Martin’s Lane-Fascinating film with Charles Laughton as a busker who takes young waif Vivien Leigh under his wing and has to step aside as she rises to fame. Both of them are brilliant the cast also includes Rex Harrison.

    Stage Door-What a collection of actresses in the tale of struggling young women trying to make it on Broadway.

    The Mad Miss Manton-Daffy comedy with Barbara Stanwyck charming as madcap heiress Melsa Manton sticking her nose into murder and falling for Henry Fonda along the way.

    Remember Last Night?-Something that would never be made today, a comic mystery set at a country house where all the guests including Robert Young were too drunk the night before to recall who murdered one of their number.

    Five Came Back-A plane full of various people (including a young Lucille Ball as a shady lady) crash in the Amazon. As the elements and headhunters move in they hurry to repair their plane hoping to escape.

    Dust Be My Destiny-The great John Garfield and his frequent costar Priscilla Lane are lovers on the run from a phony murder charge. Terrific example of the bread and butter dramas Warners churned out in the 30’s.

    The Pursuit of Happiness-That rarest of genres-a Revolutionary War comedy with Francis Lederer as a refugee Hessian soldier and Joan Bennett as the farmer’s daughter he falls for.

    On the Night of the Fire aka The Fugitive-Taut drama starring Ralph Richardson as a man whose impulsive act spirals out of control leading to much tragedy has a just starting out Glynis Johns in a small role.

    Carnival in Flanders-Clever comedy of a a medieval town’s women who take matters into their own hands when their men fear an approaching army.

    Call Her Savage-Wild Clara Bow pre-code vehicle (one of her last) about a uninhibited girl who gets into no end of trouble because of her “hot blood”. Throws everything but the kitchen sink into the mix.

    Paradise for Three-One of those happy accidents, a routine B movie that because of some alchemy of cast and direction turns out to be a small gem. The leads, Robert Young and Florence Rice, are engaging but this is owned by its trio of supporting players-Mary Astor, Frank Morgan and Edna May Oliver.

    Liked by 1 person

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