The Dark Pages March/April 2018 Issue Now Available

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While many of my online movie friends are currently attending the TCM Film Festival, I am stuck at home, but at least I’m watching some good film noir and reading the latest issue of The Dark Pages: The Newsletter for Film Noir Lovers, edited by Karen Burroughs Hannsberry. I’ve talked about the newsletter before, but if you’re a fan of noir, you should seriously consider subscribing.

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Working Through Lists

lists

As you probably know from my Best of the Year posts, I love making lists. I also love trying to work through them, especially movie lists. I’m currently working on two long-term movie-watching projects based on lists: Roger Ebert’s Great Movies and Michael F. Keaney’s Film Noir Guide: 745 Films of the Classic Era, 1940-1959. I’m working through other lists as well, titles I’ve picked up here and there from other books and websites, but these are the main two lists I’m targeting right now.

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A Criterion/FilmStruck Double Feature at Film Don’t Lie: Night Moves (1975) and My Night at Maud’s (1969)

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I’m very pleased to announce that my first guest appearance on the podcast Film Don’t Lie is now available here. My friend and podcast host Audy Christianos invited me to come on the show to discuss one of the great Friday night double features currently playing on the Criterion Channel at FilmStruck, this one featuring Night Moves (1975) and My Night at Maud’s (1969). These films have more in common than the word “night,” so I hope you’ll join us to find out more.

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What Makes a Movie Bad?

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The Blue Devils Drum and Bugle Corps, circa 2000

My band friends will be familiar with this organization, but if you’ve never attended a Drum Corps International (DCI) event or seen one on TV, you should check it out. In brief, drum and bugle corps are like high school and college marching bands (minus woodwinds) taken to a professional level and very competitive. In the preliminary competition leading up to the yearly finals, you see some corps that are superb and others that are clearly not going to come close to making it to the final 12. (This will have a connection to movies, I promise. Bear with me.)

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A New Venture… Wish Me Luck!

Podcasting

So I’m a little nervous… I’ve been asked to be a guest on an upcoming podcast about movies. I’ve done podcasting before: for three years with The Comics Alternative (mostly on the Young Reader episodes) and have been a guest on other podcasts, but those shows were always about comics and graphic novels. Tomorrow I record my first podcast episode about movies, two in particular.

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Film Noir Releases in May 2018

Film NoirNew Releases on Blu-ray and DVD

If you’re new to my monthly Film Noir Releases posts, welcome! My goal is to cover all the first-time releases to Blu-ray and DVD, usually passing over reissues unless there’s a good reason to include them. (I also tend to leave out more recent films from the last several years.) Unless otherwise noted, the following are all North American Region A Blu-ray discs. I often use the terms “film noir” and “neo-noir” rather loosely, so while you may quibble with some of my choices, I hope these are films you’ll at least consider. As always, if you know of any film noir or neo-noir films I’ve left out, please let me know in the comments below. And thanks for reading.

Just a few weeks ago, things looked pretty bleak for May releases, but several new titles have been announced in the last few days. More may be on the way; if so, I’ll be sure to update the post. But what we have so far looks pretty interesting… Let’s have a look:

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Out of the Fog (1941) Anatole Litvak

(Out of the Fog is the fourth in a series of film noir titles I recently purchased from Warner Archive. I previously discussed Riffraff [1947], The Threat [1949], and Southside 1-1000 [1950]).

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Out of the Fog (1941)
Directed by Anatole Litvak
Produced by Hal B. Wallis
Screenplay by Robert Macaulay, Robert Rossen, Jerry Walk
Based on the play Gentle People by Irwin Shaw
Cinematography by James Wong Howe
Warner Bros. DVD (1:32)

When I was looking for that all-important fourth film in the recent 4 for $44 sale at the Warner online store, the names Ida Lupino and John Garfield initially pulled me in. (I’d greatly enjoyed them both in The Sea Wolf, a film I’ve already seen twice this year.) Then when I noticed the film also includes two other favorites, Thomas Mitchell and John Qualen, I was sold.

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