The Great Movies, Episode 7: Shadow of a Doubt (1943)

Last night marked the six-month (oops – actually seven-month) anniversary of our Great Movies series at the Severna Park Library and it was our largest crowd yet: 45 people in attendance. For the first time, we had people arriving quite early, asking when we were going to open the doors. Ten minutes before the movie started, we had more than half the seats filled.

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Blindspot Series 2016: The Life and Death of Colonel Blimp (1943)


The Life and Death of Colonel Blimp (1943)
Written and directed by Michael Powell and Emeric Pressburger
Produced by Michael Powell, Emeric Pressburger and Richard Vernon
Cinematography by Georges Perinal
Edited by John Seabourne
Music by Allan Gray
The Archers Films
Criterion Collection DVD – borrowed from Ann G. (color; 2:43)

Every now and then you encounter a film that speaks to you in vastly different ways depending upon your age and life experience at the time you see it. Roger Ebert spoke to this often when discussing his long-term relationship to the film La Dolce Vita (1960).  Such films never change, but our life situations and ways of thinking do, tricking us into believing that we’re seeing a different movie at age 40 than we saw at age 20, for example. Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp is one such film, yet whereas La Dolce Vita takes place over the course of only seven days and nights, Colonel Blimp covers decades.

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Sherlock Holmes in Washington (1943) Roy William Neill


Sherlock Holmes in Washington (1943) Roy William Neill
Produced by Howard Benedict, Roy William Neill (uncredited)
Screenplay by Bertram Millhauser, Lynn Riggs
Based (loosely) on “The Adventure of the Bruce-Partington Plans” by Sir Arthur Conan Doyle
Cinematography by Lester White
MPI Media Group Blu-ray

On a transatlantic journey from London to Washington, a British agent (Gerald Hamer) carrying a secret government document is abducted. Sherlock Holmes (Basil Rathbone) and Doctor Watson (Nigel Bruce) are hired to find the agent and – more importantly – the document before it falls into the hands of the Nazis.

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