Missed Part I? Here it is. Now let’s explore some more films:
One, Two, Three (1961) Billy Wilder
One, Two, Three (1961)
Produced and directed by Billy Wilder
Screenplay by Billy Wilder, I.A.L. Diamond
Based on Egy, kettő, három by Ferenc Molnár
Cinematography by Daniel L. Fapp
MGM/UA DVD (1:44)
I’d like to start this review by thanking Kino Lorber for a Blu-ray release that hasn’t even happened yet and won’t be available for another two weeks (on May 30), Billy Wilder’s One, Two, Three (1961) , which I plan to pick up ASAP. I saw the film recently on DVD and was amazed by it, that is, when I wasn’t laughing hysterically. I’m hoping this Blu-ray release will help dispel the erroneous belief that Wilder’s career went downhill fast after The Apartment (1960). It did not and One, Two, Three proves it.
The Great Movies, Episode 17: Ace in the Hole (1951)
“Tell the Truth.” That’s the text of the framed needlepoint hanging in the office of the Albuquerque Sun-Bulletin where Chuck Tatum (Kirk Douglas) is seeking to make his comeback, looking for a return ticket to the big city newspapers who wouldn’t put up with his style of “extreme sport” journalism. The audience at last night’s showing of Ace in the Hole – part of The Great Movies series at the Severna Park Library – met Tatum last night and if you want me to tell the truth, I don’t think Tatum made many friends. But then again, maybe he did.
Movies Watched in August 2016 Part I
August is off to a good start! Let’s see what there is to talk about so far this month…
Movies Watched in April 2016 Part II
Moving right along, picking up where Part I left off:
Movies Watched in March 2016 Part II
The second half of March didn’t include as many movie as I would’ve liked, but here’s how things went after the Ides of March, so to speak… If you missed Part I of March, look no further. And here’s the rest:
The Great Movies, Episode 3: Double Indemnity (1944)
The third film in our Great Movies series at the Severna Park Library was another fun evening with a large, enthusiastic crowd. Before we watched Billy Wilder’s Double Indemnity, I spoke for a few minutes about the problems in adapting James M. Cain’s earlier 1934 novel The Postman Always Rings Twice for the screen. The novel was very popular at the time, but was considered smut by many, which didn’t help its chances with the Motion Picture Production Code (also known as the Hays Code), which started clamping down on American films in 1934. (1934 was a bad time to be a Hollywood producer if you wanted to make a film that was even slightly racy.)
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