With so many great books on movies out there, I still feel like I just scratched the surface. Please let me know the books on movies you enjoyed this year!
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Read the full review here.
Alfred Hitchcock’s Rear Window (2000) edited by John Belton
Cambridge Film Handbooks, Cambridge University Press
trade paperback, 177 pages
(includes Alfred Hitchcock’s motion picture filmography, reviews of Rear Window, select bibliography, and an index)
Each volume of the Cambridge Film Handbooks series focuses on a single title*, including essays by film scholars and critics. Although I’d never previously read any of the other titles in this particular series, I’ve read similar books from various publishers. Such volumes are usually a mixed bag containing valuable information as well as an assortment of minutia, overflowing accolades for the director, and plenty of academic gasbaggery. Thankfully, Alfred Hitchcock’s Rear Window, edited by John Belton (Professor of English at Rutgers University) is an above-average collection of essays from people who know their stuff and can skillfully communicate it.
Peter Cushing: An Autobiography
Weidenfeld and Nicholson
trade paperback, 157 pages
It’s not uncommon for people coming into the library where I work to get a little confused about biographies and autobiographies. We often get requests such as “that autobiography of Alexander Hamilton that he made into a musical,” (multiple problems there) or “Leonardo da Vinci’s new autobiography by Walter Isaacson” (problems here, too). With grace and gentility, we point out that autobiographies are written by the subject themselves and biographies are penned by other people who (hopefully) did careful research and study. Memoirs (which seem to be everywhere these days) are like autobiographies, but usually focused on a specific portion of the writer’s life. Peter Cushing: An Autobiography is truly an autobiography, yet it ends well before the end of the actor’s career. At only 157 pages, the work is quite short, stopping at the death of Cushing’s wife Helen in 1971. Although he worked for 15 more years and lived until 1994, Cushing chose not to reveal anything further about himself in this volume. (A second volume, Past Forgetting: Memoirs of the Hammer Years was published in 1988.)
As the years pile up, we sometimes need something a little extra to make those birthdays a bit easier to swallow. As always, I’m celebrating my birthday this year with some movie-related festivities and fun. Feel free to steal one or all of my ideas and please, share your own!
Asheville Movies Volume I: The Silent Era – Frank Thompson
Men With Wings Press, 2017
Trade paperback, 104 pages with photographs, notes (bibliography), people index, film title index
Even with the current technological potential to make movies practically anywhere in the world, when we think of motion pictures in general, we often think of those shot in Hollywood and New York. Sure, you might see an occasional American movie filmed in San Francisco, Chicago, maybe the South or the Southwest, or even New England, but we’ve come to believe that the bulk of American films are produced in New York or L.A.
Here comes Frank Thompson to turn your world upside down.