Revisiting Night of the Living Dead (1968)

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(SPOILERS)

I recently revisited George Romero’s Night of the Living Dead, a movie I first saw in 1971 when I was nine years old. Was I too young for such a movie? Maybe. After reading this reminiscence, you might be able to tell me what you think about how it shaped me as a movie-goer. (It’s difficult for me to evaluate that with any objectivity.) In later years I saw bits and pieces (no pun intended) of the movie on cable TV, but didn’t really give it much thought until I bought the Criterion Blu-ray on a whim. So 50 years after the release of the film – and 47 since I saw it – here are my thoughts, starting with three observations:

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Film Noir Releases in September 2017

September is neither the most exciting nor the most densely packed month for film noir and neo noir releases, but I present to you several worth considering, especially if you own an all-region Blu-ray player. As always, unless otherwise noted, the following are Region A (U.S. and Canada) Blu-rays. Here we go:

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Film Noir Releases in August 2017 (UPDATED)

(Please see the end of this post for an August UPDATE)

We’re not seeing as much film noir from the “classic” era (roughly 1941-1958) being released on Blu-ray and DVD these days, at least not as much as I’d like, but rest assured there are more classic noir titles in the pipeline. Still, you’ll find plenty of good stuff this month including several neo-noir and “noir-stained” titles (although some of those connections might be a bit tenuous). You’ll also notice a few previously announced releases that were delayed for various reasons. As always, the following discs are in the Blu-ray format for U.S./Canada Region A players unless otherwise indicated.

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Stromboli (1950) Roberto Rossellini

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Stromboli (1950)
Directed and produced by Roberto Rossellini
Story by Roberto Rossellini with collaboration by Sergio Amiedi, G. P. Callegari, Art Cohn, and Renzo Cesana
Screenplay by Rossellini and Father Félix Morlión
Cinematography by Otello Martelli
Edited by Roland Gross (uncut version) and Alfred L. Werker (U.S. version)
FilmStruck (1:47)

Stromboli’s full title in Italian reads Stromboli, terra di Dio or Stromboli, Land of God. The complete title is crucial to understanding what Rossellini is trying to convey. The film goes beyond the concept of Italian neorealism, reaching for something larger and yet personal and intimate. Does it succeed?

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