If you missed Part I, look no further.
I’m continuing something of an abbreviated look at these films. Maybe less is more? I hope you’ll find something of interest to check out. Here we go…
Unfortunately you’ll find very few Blu-ray or DVD releases in May from the “classic” era of film noir, but next month does offer some nice neo-noir titles and a couple of complete TV series sets. Let’s get started:
Some of these are pretty short… So much going on… Regardless, I hope you’ll find something of interest here:
The guys over at Pure Cinema Podcast recently covered their top neo-noir movies, pairing them with classic film noir titles that share some type of connection whether it’s plot, theme, or some other common element. It’s a great show and I highly recommend listening to it. I enjoyed it so much that I was inspired to come up with my own list of neo-noir/classic noir pairings:
Man, what a month March was with 52 movies total, which may not be a lot for some, but is record-breaking for me. I’m going to zip through this list pretty quickly. I hope to revisit some of these films with longer reviews, but for now it will be brief. Hope you’ll find something to enjoy!
The Late Show (1977) (2x)
Written and directed by Robert Benton
Produced by Robert Altman, Scott Bushnell
Cinematography by Charles Rosher Jr.
Warner DVD – library (1:33)
The Late Show is a film I first saw when I was 15 years old, far too young to adequately appreciate it. I hadn’t gained enough life experience, hadn’t seen enough film noir, and felt as if its stars Art Carney and Lily Tomlin were trapped in a movie where they didn’t belong. To this 15-year-old mind, Carney belonged on reruns of The Honeymooners; Tomlin belonged on TV variety shows performing skits as Edith Ann and Ernestine the telephone operator. Yet here they were on the big screen in a… what? A comedy? A crime picture? To make things even weirder, I saw The Late Show in one of the strangest places you can see a movie: the theater of a cruise ship on the way to the Virgin Islands. At the time, I thought little about the movie. Now 40 years later, I embrace it as a rare gem.