Three Blind Spot 2017 Movies


(To see more on the Blind Spot series, please visit The Matinee.)

I recently came to the realization that movie blind spots never entirely go away. The more films you see, the more films you realize you haven’t seen, especially those lesser-known or harder-to-find films you hear about, films that you make it your life’s quest to track down and see. All it takes is to listen to a movie podcast or two, read a book or two, and the quest begins again. If you continue down this treacherous road (as I frequently do), you find a few (or a few hundred, as the case may be) titles that you hear referenced over and over, films you really must see. I recently saw three such films, two from my unfinished 2016 list and one from my 2017 (which is nearly completed).

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Stromboli (1950) Roberto Rossellini


Stromboli (1950)
Directed and produced by Roberto Rossellini
Story by Roberto Rossellini with collaboration by Sergio Amiedi, G. P. Callegari, Art Cohn, and Renzo Cesana
Screenplay by Rossellini and Father Félix Morlión
Cinematography by Otello Martelli
Edited by Roland Gross (uncut version) and Alfred L. Werker (U.S. version)
FilmStruck (1:47)

Stromboli’s full title in Italian reads Stromboli, terra di Dio or Stromboli, Land of God. The complete title is crucial to understanding what Rossellini is trying to convey. The film goes beyond the concept of Italian neorealism, reaching for something larger and yet personal and intimate. Does it succeed?

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