2016: The Year in Review

I’ve got a huge struggle that few people understand, but maybe you do. My struggle is this: I’m interested in far too many things for one lifetime. It’s a real problem. I love my library job, I love books, I love comics, and I love movies. Especially movies. Of all the things I love, it’s the subject I loved first, starting as a very young child. It’s ingrained, I can’t shake it, I can’t be cured. And I think I can honestly say I get more excited about movies every year and that’s saying something. If you’re a regular reader of this blog, as I said before, I think you understand.

So with that in mind, I thought I’d share my year in movies with you. (And I’d love to hear about your year in movies as well.)

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Noir City 14: Crack-Up (1946)

Noir City 14 presented me with a couple of challenges. I wanted to get my money’s worth from the festival, yet I also wanted to explore San Francisco with my wife, who is not a movie fan. So I made a decision to skip a couple of films, one of which I had already seen recently, The Dark Corner (1946), which you can read about here.

Even so, I was able to catch the last 30 minutes or so of the film, plenty of time to see William Bendix get what was coming to him at the hands of Clifton Webb. (Sorry, slight spoiler there…)


In his introduction to the next film, Eddie Muller admitted that Crack-Up (1946, directed by Irving Reis) is not one of his favorite noir films, but it does fit the Noir City 14 theme of art. The film begins with an agitated man (Pat O’Brien, below on his back) smashing the glass door of the Manhattan Museum and assaulting a museum guard. Once the museum staff rush to the scene, they discover that this crazed man is none other than George Steele, art critic, forgery expert, and lecturer at the museum.

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