The Turning Point (1952) William Dieterle
New district attorney John Conroy (Edmond O’Brien, above right) is young, eager and determined to wipe out crime, starting with the city’s most powerful syndicate run by Neil Eichelberger (Ed Begley). Conroy even appoints his dad (Tom Tully), a cop, to be part of his task force. But Conroy’s reporter friend Jerry McKibbon (William Holden, above left) discovers that Conroy’s dad has ties to Eichelberger. That could make for an awkward Thanksgiving…
Appointment with Danger (1951) Lewis Allen
I don’t know if Appointment with Danger was intentionally meant to be funny, but much of it is. Yet the film certainly has its serious moments and falls clearly into the crime/noir categories (often leaning more towards crime than noir).
Sleep, My Love (1948) Douglas Sirk
Olive DVD (library)
Alison Courtland (Claudette Colbert, above) finds herself on a passenger train bound for Boston, with no memory of how she got there or the gun in her purse. She’s aided by fellow passenger Bruce Elcott (Robert Cummings, second picture below, left), who makes sure she gets home to her husband Richard Courtland (Don Ameche, below left), where she’ll be safe and taken care of. She’ll be taken care of, all right, just not in way Elcott thinks.
Fallen Angel (1945) Otto Preminger
Fox Film Noir DVD
Our introduction to Eric Stanton (Dana Andrews, above) finds him being thrown off a bus for not having enough fare to make it to San Francisco. The little town of Walton will have to do for this drifter/con man. Eric’s first stop is Pop’s Eats, a hole-in-the-wall diner where the proprietor – appropriately named Pop (Percy Kilbride) – is all in a tizzy: Pop’s best (and maybe only) waitress Stella has been gone for days. When she finally shows up, we immediately see why business tanks when she’s not around.
The Street with No Name (1948) William Keighley
Fox Film Noir DVD
As we learn from the film’s opening documentary-like voice-over narration, the street in question could be any street in America. We see (or are meant to believe we see) FBI men in training and working before we meet FBI agent George Briggs (Lloyd Nolan, above right), who previously appeared in Henry Hathaway’s The House on 92nd Street (1945). Briggs and the boys feel that new agent Gene Cordell (Mark Stevens, below) could become a good undercover man. He’s needed quickly: a local gang is giving the FBI fits, having just pulled off a huge bank robbery and killing innocent people in the process.
Moonrise (1948) Frank Borzage
Young Danny Hawkins is constantly tormented by other boys his age, but the reason has nothing to do with anything Danny did. No, it’s because of Danny’s father, who was hanged as a murderer. After an opening which is equal parts surreal and nightmarish, we aren’t sure what to expect next: Salvador Dali, Southern gothic noir, or both.
Kiss of Death (1947) Henry Hathaway
Richard Widmark (above left) made quite a career playing sadistic criminals in film noir and while his role in Kiss of Death confirms this, it’s largely Victor Mature (above right) who’s allowed to show us a more nuanced performance.
Too Late for Tears (1949) Byron Haskin
Alan Palmer (Arthur Kennedy) and his wife Jane (Lizabeth Scott, above) are driving through the Hollywood Hills on their way to a party. Along the way, another car nearly hits them, unnerving the Palmers until they discover the driver of the other car has thrown something into their car: a satchel. Can you guess what’s in the satchel? Money, and lots of it. $60,000 worth. (In today’s dollars, that would equal nearly $600,000.) Once Alan opens the bag and Jane sees the money, her face lights up in a way that’s both beatific and hellish. Her life is never going to be the same.
Odds Against Tomorrow (1959) Robert Wise
Johnny Ingram (Harry Belafonte, above left) owes $7,500 to a bookie and child support to an ex-wife. Earl Slater (Robert Ryan, above right) is an ex-con, growing old with nothing to show for it but hate, prejudice, and a woman named Lorry (Shelley Winters, below) who loves him despite his many faults. The only person keeping Johnny and Earl from killing each other is Dave Burke (Ed Begley, above center). Burke is an ex-cop who wants to get back at the system after having his career ruined when he refused to cooperate with upper level crime investigators.
The Reckless Moment (1949) Max Ophüls
Lucia Harper (Joan Bennett, above left) warned her daughter Bea (Geraldine Brooks, below right) about men like Darby. Darby’s too old, Lucia tells Bea, and he hangs out in seedy places with people of questionable character. And to top it all off, Darby is played by Shepperd Strudwich, who always looks like he’s up to no good.