Neo-Noir and Classic Noir Pairings

The guys over at Pure Cinema Podcast recently covered their top neo-noir movies, pairing them with classic film noir titles that share some type of connection whether it’s plot, theme, or some other common element. It’s a great show and I highly recommend listening to it. I enjoyed it so much that I was inspired to come up with my own list of neo-noir/classic noir pairings:

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Movies Watched in March 2017 Part V

Man, what a month March was with 52 movies total, which may not be a lot for some, but is record-breaking for me. I’m going to zip through this list pretty quickly. I hope to revisit some of these films with longer reviews, but for now it will be brief. Hope you’ll find something to enjoy!

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Stoker (2013) Park Chan-wook

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Stoker (2013)
Directed by Park Chan-wook
Produced by Ridley Scott, Tony Scott, Michael Costigan
Written by Wentworth Miller
Cinematography by Chung-hoon Chung
DVD – library (1:39)

Another recommendation from the guys at Pure Cinema Podcast, Stoker is the first English-language film from South Korean filmmaker Park Chan-wook, whose previous films include the Vengeance trilogy (Sympathy for Mr. Vengeance, Oldboy, Lady Vengeance) and who later made Snowpiercer (2013) and The Handmaiden (2016). If you know Chan-wook’s earlier work, Stoker will seem quite toned-down, but for this particular story, a quieter, more serene atmosphere serves to heighten the tension rather than reduce it.

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Night of the Comet (1984) Thom Eberhardt

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Night of the Comet (1984)
Written and directed by Thom Eberhardt
Produced by Andrew Lane, Wayne Crawford
Cinematography by Arthur Albert
Library DVD – interlibrary loan (1:35)

“The burden of civilization is on us, okay?”

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Night of the Comet is a horror/science fiction/comedy/satire recommended by the guys at Pure Cinema Podcast last week. The plot is pretty simple: a comet has streaked past the Earth several days before Christmas, wiping out every person in the Los Angeles area except for a few survivors who stayed indoors protected by any structure made of steel. It’s not much of a set-up, but it’s enough to get us going.

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The Horror! The Horror! My Reluctance to Embrace Horror and How Scream Factory and Pure Cinema Podcast May Change My Movie-Watching Life While Sucking My Bank Account Dry

(How’s that for a title, huh?)

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I have a very unusual relationship with horror movies. I own very few of them and most of the ones I do own are from Hollywood’s “classic” era, including several of the Universal monster films and later more “psychological” horror films such as The Innocents (1961) and The Haunting (1963), films that suggest more than they show. Most of the horror in those films comes from implications and a sense of dread rather than actual physical danger and mayhem. These are the elements that – at least to me – offer the best justifications for rewatchability. Yet after listening to the latest Pure Cinema Podcast, I might be picking up more horror.

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In their most recent show, Episode 6: Scream Factory, I came away with at least 16 titles I absolutely must check out:

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The Swimmer (1968) Frank Perry

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The Swimmer (1968)
Directed by Frank Perry, Sydney Pollack (uncredited)
Produced by Roger Lewis, Frank Perry
Cinematography by David L. Quaid
Edited by Sidney Katz, Carl Lerner, Pat Somerset
Music by Marvin Hamlisch
Written by Eleanor Perry, based on a short story by John Cheever
Grindhouse Releasing Blu-ray (1:35)

The Swimmer is in many ways a product of the 60s, yet with the exception of a few techniques (and a few swimsuits) that link it to its era, the film transcends its time, making it as relevant in 2017 as it was nearly 50 years ago. (Speaking of 50, let’s just get this out of the way right now. Burt Lancaster was 53 when the film was made. Remember that when you see him diving into swimming pools wearing swimming trunks and moving around like he’s in his 30s. He looks amazing.)

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