The Late Show (1977) Robert Benton

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The Late Show (1977) (2x)
Written and directed by Robert Benton
Produced by Robert Altman, Scott Bushnell
Cinematography by Charles Rosher Jr.
Warner DVD – library (1:33)

The Late Show is a film I first saw when I was 15 years old, far too young to adequately appreciate it. I hadn’t gained enough life experience, hadn’t seen enough film noir, and felt as if its stars Art Carney and Lily Tomlin were trapped in a movie where they didn’t belong. To this 15-year-old mind, Carney belonged on reruns of The Honeymooners; Tomlin belonged on TV variety shows performing skits as Edith Ann and Ernestine the telephone operator. Yet here they were on the big screen in a… what? A comedy? A crime picture? To make things even weirder, I saw The Late Show in one of the strangest places you can see a movie: the theater of a cruise ship on the way to the Virgin Islands. At the time, I thought little about the movie. Now 40 years later, I embrace it as a rare gem.

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Noirvember 2016, Episode 13: On Dangerous Ground (1952)

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On Dangerous Ground (1952) Nicholas Ray (2x)
(1:22)
Warner Archive Blu-ray

In every Nicholas Ray film I’ve seen, there’s always an underlying darkness that emerges from within what appears to be a conventional (or more likely an unconventional) drama and that’s certainly true of On Dangerous Ground. I just started reading Nicholas Ray: An American Journey by Bernard Eisenschitz, which is a fascinating look at the director’s life and work. I haven’t gotten that far into the book, but I feel certain that loneliness and isolation play a big part in many of his films. They certainly do in this one.

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Noir City DC 2016 – Part V: The Narrow Margin (1952) Richard Fleischer

Two clarifications are in order. First, when reporting the events of Noir City DC 2016, I want to give you a taste of Eddie Muller’s film introductions that is as accurate as possible while providing some thoughts of my own. I’ll try to make it clear when I am quoting or paraphrasing what Muller said. My opinions will hopefully be read only as my opinions; I’m not trying to put words in Muller’s mouth. (When in doubt, listen to Muller, not me!)

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Second, last Sunday marked the fourth time I’ve seen The Narrow Margin in 20 months. I am still not tired of it and could watch it again right now. If you’ve never seen it, I hope Muller’s thoughts on the film (and maybe even mine) will convince you to seek it out.

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