If you’re new to my monthly film noir releases post, welcome! My goal is to cover all the first-time releases to Blu-ray and DVD, usually passing over reissues unless there’s a good reason to include them. Unless otherwise noted, these are all North American Region A Blu-ray discs. I often use the terms “film noir” and “neo-noir” rather loosely, so while you may quibble with some of my choices, I hope these are films you’ll at least consider. As always, if you know of any film noir or neo-noir films I’ve left out, please let me know in the comments below. And thanks for reading!
It should come as no surprise that October is ruled by horror releases, but there are still some nice noir titles to be had including a motherlode box set that will excite most any noir fan provided they can speak and understand French (and own a region-free Blu-ray player). Let’s see what October holds…
Overall I felt like August was a slow month, but I did manage to see quite a few films, most of them for the first time. If you missed the earlier parts of the month, please check out Part I and Part II. Here’s Part III:
Night Moves (1975)
Directed by Arthur Penn
Produced by Robert M. Sherman
Written by Alan Sharp
Music by Michael Small
Cinematography by Bruce Surtees
Edited by Dede Allen, Stephan A. Rotter
Warner DVD – Interlibrary loan (1:39)
Recently released on Blu-ray from Warner Archive
In the first half of Night Moves, private detective Harry Moseby (Gene Hackman) is showing a woman named Paula (Jennifer Warren) a sequence of chess moves from a famous match originally played in the 1920s.
“It’s a beauty,” Paula says after Harry shows her the sequence again.
“Yeah,” Harry replies, “but he didn’t see it. He played something else and he lost. Must’ve regretted it every day of his life. I know I would have.”
In a way, I’ve just given away everything about Arthur Penn’s brilliant neo-noir Night Moves, and then again I’ve given away nothing. Night Moves is one of those movies that’s been largely overlooked for the past 40 years, at least by the majority of the moviegoing public (and sometimes even Gene Hackman fans). It’s a great film for many reasons (which I’ll elaborate on in a moment), but it demands from the viewer a patient and careful eye. It also requires at least two viewings (this was my third) to fully appreciate its wonders, and for a 40-year-old film, that’s asking a lot. Yet the rewards are tremendous.
If you missed Part I of the films I watched in August, this will get you caught up. Continuing…
July is over and I just barely managed to get in 30 movies total. If you’re so inclined, please check out Part I and Part II. Here’s the last part of my July viewing:
We took our vacation this month, so I won’t have as many films to list as usual plus I’m late getting them out. But rest assured, there’s much more to come. Here’s what I saw in the first half of July:
I have a movie decision to make so I thought I’d ask my readers. At the library where I work, I’m planning several events leading up to Veterans Day (November 11) culminating in a Veterans Day movie. We can choose most movies from Movie Licensing USA and there are several good ones in that database. (Unfortunately my top choice, The Best Years of Our Lives, is not on that list.)
I’ve narrowed my choices down to two: Battleground (1949) and They Were Expendable (1945). I like them both, I think they would both be good films to show to honor our veterans, but I’m really having trouble deciding which one to screen. I’d love to hear your thoughts.