Revisiting Night of the Living Dead (1968)

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(SPOILERS)

I recently revisited George Romero’s Night of the Living Dead, a movie I first saw in 1971 when I was nine years old. Was I too young for such a movie? Maybe. After reading this reminiscence, you might be able to tell me what you think about how it shaped me as a movie-goer. (It’s difficult for me to evaluate that with any objectivity.) In later years I saw bits and pieces (no pun intended) of the movie on cable TV, but didn’t really give it much thought until I bought the Criterion Blu-ray on a whim. So 50 years after the release of the film – and 47 since I saw it – here are my thoughts, starting with three observations:

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Film Noir Releases in March 2018 UPDATED

Film NoirNew Releases on Blu-ray and DVD

If you’re new to my monthly Film Noir Releases posts, welcome! My goal is to cover all the first-time releases to Blu-ray and DVD, usually passing over reissues unless there’s a good reason to include them. (I also tend to leave out more recent films from the last several years.) Unless otherwise noted, the following are all North American Region A Blu-ray discs. I often use the terms “film noir” and “neo-noir” rather loosely, so while you may quibble with some of my choices, I hope these are films you’ll at least consider. As always, if you know of any film noir or neo-noir films I’ve left out, please let me know in the comments below. And thanks for reading.

While March includes a few interesting North American releases, now may be the time to consider a region-free Blu-ray player if you haven’t already done so. But if you want to stay within the U.S. and Canada, Twilight Time, Kino Lorber and ClassicFlix offer some nice titles in March. Let’s get started.

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Noir City 16: Day 4, 1945 – Conflict and Jealousy

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Jack Warner just didn’t get it. He couldn’t understand what all the fuss was about over Humphrey Bogart, despite the fact that the actor’s portrayal of Rick in Casablanca was one of the main reasons Warner was able to take home the Oscar for Best Picture. So what was Bogart’s reward for delivering such a performance? Eddie Muller provided the answer: playing a wife-killer who’s obsessed with his dead wife’s sister.

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Noir City 16: Day 3, 1944 – Destiny and Flesh and Fantasy

Destiny

The films on Sunday’s double feature share an odd history. Destiny was originally intended to be the first installment of an anthology film (also known as omnibus or package films) called For All We Know (eventually retitled Flesh and Fantasy), directed by Julien Duvivier. Duvivier, a major figure in French cinema, had previously made an anthology film in 1942 called Tales of Manhattan starring Charles Boyer. That film contained six episodes* involving a cursed black formal tailcoat and how it affects the people who wear it.

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