Noir City 15 Part III: The Community of Film Noir

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When first looking over the Noir City schedule, you might come away disappointed, not in the selection of titles, but in the number of films shown per day. With the exception of Saturdays, Noir City features two films a day, generally showing around 7:15pm and 9:00pm or thereabout. (The two Sunday films are repeated later in the day.) But remember, you’re in San Francisco, one of the most fascinating cities on the planet, so go explore it! In the two years I’ve attended Noir City, I have also gone on a wine tour, an “Alfred Hitchcock’s San Francisco” walking tour, visited the Museum of Modern Art, Alcatraz, a Japanese garden, John’s Grill, ran a 5K, spent time in Chinatown, and much more.

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Noir City 15 Part II: Four Movie Saturday

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One of the greatest pleasures of any film festival comes from meeting other movie lovers and talking with them. That was certainly the case with me this year, meeting several great people that I’ll get to later. Yet oddly enough, I met a fellow noir fan at Noir City who lives practically in my backyard. Haggai – who lives in Silver Spring, Maryland, about a 45-minute drive from my house – has been coming to Noir City in San Francisco since 2007. He certainly knows the Noir City ropes as well as his films and I had a great time meeting and talking with him. He invited me to join him for Saturday’s opening movie, Phil Karlson’s Kansas City Confidential (1952).

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Movies Watched in January 2017 Part II

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Things will be silent for awhile here at Journeys in Darkness and Light until after I get back from Noir City 15 in San Francisco. Rest assured, I’ll give a full report on the first half of the festival when I return. (Unfortunately I will only be there for half of the entire 10-day event.) I will, however, be Tweeting from Noir City, so be sure to follow me on Twitter @awolverton77. In the meantime, here are the movies I’ve seen the past few days:

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Blind Spot Series 2017:L’Avventura (1960)

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L’Avventura (1960)
Directed by Michelangelo Antonioni
Produced by Amato Pennasilico
Written by Michelangelo Antonioni, Elio Bartolini, Tonino Guerra
Cinematography by Aldo Scavarda
Edited by Eraldo Da Roma
Music by Giovanni Fusco
FilmStruck (2:23)

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(For more about the Blind Spot series, please check out The Matinee.)

“Everything is becoming so hideously easy. Even forgetting pain.”

This line – delivered late in the film – summarizes what L’Avventura is all about. It is a revelatory line for the character who delivers it, a line that not only encapsulates everything about the film, but also barely scratches the surface of much bigger themes.

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