The Shape of Water (2017) Guillermo del Toro

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The Shape of Water (2017)
Written and directed by Guillermo del Toro
Produced by Guillermo del Toro, J. Miles Dale
Screenplay by Guillermo del Toro, Vanessa Taylor
Music by Alexandre Desplat
Cinematography by Dan Laustsen
Edited by Sidney Wolinsky
Production design by Paul D. Austerberry
Art Direction by Nigel Churcher
Set Decoration by Jeffrey A. Melvin, Shane Vieau
Other credits
Fox Searchlight
Annapolis Bow Tie Harbor 9 (2:03)

Like Guillermo del Toro, I was too young to have seen the original release of The Creature from the Black Lagoon (1954), but I imagine that something of the magic those audiences felt translated to the emotions I experienced watching The Shape of Water, a film obviously influenced by the Jack Arnold monster/horror classic. Arnold touches on the concept of “otherness” in the 1954 original, but del Toro – with the advantage of having more freedom to explore such themes in 2017 – takes the viewer on a journey not just through the “otherness” of a human/monster relationship, but other journeys that venture out to far-reaching areas of – and perhaps beyond – humanity.

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Noir City 16 Line-Up Announced!

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It’s such a simple idea, yet it’s a stroke of genius: pair up an “A” picture from the classic film noir era (1941 to 1953 in this case) with a “B” picture for an unbeatable noir double feature for each day of Noir City 16 at San Francisco’s historic Castro Theatre Jan. 26-Feb. 4, 2018. At last night’s Noir City Christmas at the Castro Theatre, which featured a double feature of Manhandled (1949) and Alias Boston Blackie (1942), Eddie Muller unveiled the full Noir City 16 schedule, which you can find here.

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Film Noir Releases in January 2018

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If you’re new to my monthly Film Noir Releases posts, welcome. My goal is to cover all the first-time releases to Blu-ray and DVD, usually passing over reissues unless there’s a good reason to include them. (I also tend – with one exception this month – to leave out films released in  theaters from the last several years.) Unless otherwise noted, the following are all North American Region A Blu-ray discs. I often use the terms “film noir” and “neo-noir” rather loosely, so while you may quibble with some of my choices, I hope these are films you’ll at least consider. As always, if you know of any film noir or neo-noir films I’ve left out, please let me know in the comments below. And thanks for reading.

2018 may not start with a plethora of film noir releases on Blu-ray, but January’s line-up is rock solid with several must-own titles. Let’s get started:

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The Best of 2017: Film Noir

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2017 marks the fourth year that I’ve seriously started delving into film noir. I still consider myself a beginner as far as the number of films I’ve seen and my knowledge of noir, but I’m probably at least near the halfway point of having seen the established body of American film noir titles. I saw close to 200 film noir and neo-noir movies in 2017, but here I’m only going to concentrate on those from the established film noir era (1940-1959), although you’ll find one or two films on either end of that period. In many cases I examined some films in greater detail in previous posts. In those cases, just click on the title. Enjoy!

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Lady Bird (2017) Greta Gerwig

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Lady Bird (2017)
Written and directed by Greta Gerwig
Produced by Scott Rudin, Eli Bush, Evelyn O’Neil
Cinematography by Sam Levy
Edited by Nick Houy
BowTie Harbor 9, Annapolis, MD (1:33)

On the surface, Lady Bird seems like a movie I shouldn’t relate to in any way. It’s about a high school senior (Remember, I’m in my 50s) at a Catholic school (I’m Protestant) in California (I’m from Mississippi) in 2002 (I graduated in the 80s). Plus, she’s a girl; I’m a guy. We have literally not one thing in common.

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The Best of 2017: International Films Part I

The Best of 2017International Films Part I

Although my family and friends cannot comprehend this, I frequently lament how few films I’ve actually seen in my lifetime. Expand that to world cinema and you’ll find enormous, cavernous spaces filled with all the international movies I haven’t seen. This year I tried to at least chip away at several of those non-English-speaking treasures. I’ll explore more of these films in Part II, but for now, here’s Part I:

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