Rediscovering The Country Girl (1954) George Seaton

Yelling

The Country Girl (1954) rewatch (2x)
Written and directed by George Seaton
Based on the play by Clifford Odets
Produced by William Perlberg
Cinematography by John F. Warren
Paramount Pictures
DVD – library (1:44)

It’s always a roll of the dice, revisiting a film you saw once when you were much, much younger. Do you resist seeing the movie again, fearing that you might tarnish or even destroy those positive memories of a film you cherished in those days when you had few responsibilities, practically no fears or worries, and were willing to try (or at least watch) just about anything? Or do you let those memories lie undisturbed, hidden under an impenetrable protective layer?

Continue reading

Night Moves (1975) Arthur Penn

Hackman_gun

Night Moves (1975)
Directed by Arthur Penn
Produced by Robert M. Sherman
Written by Alan Sharp
Music by Michael Small
Cinematography by Bruce Surtees
Edited by Dede Allen, Stephan A. Rotter
Warner DVD – Interlibrary loan (1:39)
Recently released on Blu-ray from Warner Archive

In the first half of Night Moves, private detective Harry Moseby (Gene Hackman) is showing a woman named Paula (Jennifer Warren) a sequence of chess moves from a famous match originally played in the 1920s.

“It’s a beauty,” Paula says after Harry shows her the sequence again.

“Yeah,” Harry replies, “but he didn’t see it. He played something else and he lost. Must’ve regretted it every day of his life. I know I would have.”

In a way, I’ve just given away everything about Arthur Penn’s brilliant neo-noir Night Moves, and then again I’ve given away nothing. Night Moves is one of those movies that’s been largely overlooked for the past 40 years, at least by the majority of the moviegoing public (and sometimes even Gene Hackman fans). It’s a great film for many reasons (which I’ll elaborate on in a moment), but it demands from the viewer a patient and careful eye. It also requires at least two viewings (this was my third) to fully appreciate its wonders, and for a 40-year-old film, that’s asking a lot. Yet the rewards are tremendous.

Continue reading

The Offence (1972) Sidney Lumet

_title_offence_blu-ray_

The Offence (1972*)
Directed by Sidney Lumet
Produced by Denis O’Dell
Written by John Hopkins based on his play This Story of Yours
Cinematography by Gerry Fisher
Edited by John Victor-Smith
Music by Harrison Birtwistle
Kino Lorber Blu-ray (1:52)

I can’t imagine what it must have been like to see this film in theaters upon its initial release. Audiences would’ve known it starred Sean Connery – who at this point had made six James Bond films – and was directed by Sidney Lumet – who had directed 12 Angry Men, The Pawnbroker, Fail Safe and The Anderson Tapes (also starring Connery). But I don’t think anyone expected the absolute raw, unrelenting power of The Offence.

Continue reading

Miracle Mile (1988) Steve De Jarnatt

miracle-mile-movie-poster-1988-1020385988

Miracle Mile (1988*)
Written and directed by Steve De Jarnatt
Produced by John Daly, Derek Gibson
Cinematography by Theo van de Sande
Music by Tangerine Dream
Kino Lorber Blu-ray (1:27)
(mild spoilers initially – more later)

As I mentioned in my recap of the movies I watched earlier this month, I have absolutely no recollection of Miracle Mile coming out in theaters, on cable, or on VHS. If not for Brian and Elric at Pure Cinema Podcast, I probably would’ve never seen it, so many thanks to the guys for recommending a title that has immediately become one of my favorite movies from the 80s.

Continue reading

My Introduction to the Genius of Jacques Tati

8cba1fb914d41f0da8c9d0af8e24fe7b--jacques-tati-movieposter

Monsieur Hulot’s Holiday (1953)
Directed by Jacques Tati
Filmstruck (1:27)

5/5

MPW-30743

PlayTime (1967)
Directed by Jacques Tati
Filmstruck (2:04)

5/5

These two films represent many “firsts” for me: the first time I’ve seen anything by Tati, the first time (as far as I can remember) that I’ve watched two works by a new-to-me director back-to-back, and the first time (again, as far as I can remember) I’ve given five stars to back-to-back works by the same director.

Continue reading